A special, newly image-rehabilitated former president makes a surprise appearance.
A few months ago Jack Johnston was asked to film a series of lapse time shots of the Cherry Blossom trees in Japan for a BBC Springwatch Special. After months of testing and working out the kinks in the process, this is a selection of shots that featured in the final show.
The myth that humans are superior to all other life forms is a fundamental and unquestioned premise of dominant culture. It is an old historical idea, rooted in colonialism, and is deeply embedded in religion and science. It is one of the root causes for the destruction of the natural world, animal cruelty, war, the extinction of species and other immense problems. The Superior Human? challenges this arrogant and self-destructive ideology; unwinds the myths, using examples and common sense.
The low angle of the sun over Tethys' massive canyon, Ithaca Chasma (near the terminator, at right), highlights the contours of this enormous rift. Ithaca Chasma is up to 60 miles (100 kilometers) wide, and runs nearly three-fourths of the way around icy Tethys (660 miles or 1,062 kilometers across). The canyon has a maximum depth of nearly 2.4 miles (4 kilometers) deep. The giant crater Odysseus — usually one of Tethys’ most recognizable features — is barely seen in profile along the limb, at upper left.
You may have seen headlines proclaiming that the great mystery of Antarctica's "Blood Falls" has finally been solved. That's a little silly, because the big mystery—the question of why blood-like bright red liquid oozes out of the otherwise white surface of Taylor Glacier—hasn't been all that mysterious for some time. Two years ago, a study suggested that the water, a salty brine full of interesting microbial life and colored by a high level of iron, seems to come up from an underground waterway that connects visible lakes on the surface.
Created in 2006 by multidisciplinary artist Kimsooja, he transformed the Palacio de Cristal into a multisensory sound and light experience. Outside light filters through the glass of the pavilion and reflects off the diffraction film. It diffuses into rainbow spectrums, transforming the external panorama seen from within the palace. The resulting effect is that the entire structure as well as the rays of colour reflecting off the mirrored floor.